This Marriage Business with Vicki Lester, Allan Lane, and Victor Moore.  Victor Moore played the main creditor in the last movie I saw, She's Got Everything.  He has a wonderfully low-key acting style.  I wonder whether the director would have to keep asking him to speak up.  The female lead is played by Vicki Lester, which was the name adopted by Esther Blodgett in A Star Is Born, the first version of which was released in 1937.  As far as I know there is no relation.

Okay, the movie...
While pursuing an eloping heiress, reporter Bill Bennett (Lane) stumbles across a small town marriage license clerk named Jud Parker (Moore).  Parker claims that no couple that he has issued a license to has ever gotten divorced.  Bill plays up this angle in his newspaper story and soon the small town is a booming elopement destination.  Bill falls in love with Parker's beautiful daughter, Nancy (Lester), but she already has a boyfriend, plus she is not sure of Bill's motives or character. Also, there are gangsters, an illegal casino, corrupt politicians and Parker is framed for murder.

Familiar face: Jack Carson as 'Candid', Bill's photographer.

Here's something you don't see today... a date involving pulling taffy:

Bill watches Nancy and her boyfriend pull taffy

This is the last of five movies from the 1930's in which Ann Sothern starred opposite Gene Raymond. Ann plays once-wealthy socialite Carol Rogers who (upon the death of her father) finds herself not only broke, but seriously in debt.  The men to whom she owes money conspire to get her to married to a wealthy man so that she will have the means to pay them back.  Carol dismisses the idea and wants to get a job. One of the debt holders (played by Victor Moore) takes charge and sets her up as secretary to wealthy coffee magnate Fuller Partridge (Gene Raymond), still hoping for a lucrative marriage.

In the final scene Sothern and Raymond are married in a ceremony on the back of a crowded truck that is racing to make the departure of the Queen Mary.  The gag here is that there is so much noise that the couple can't hear the Justice of the Peace asking them to say "I Do."  In my newspaper search I found that this scene was used as the basis for a Lucky Strike ad campaign:

The loudest "I do" a bride ever spoke! Even after such throat-taxing scenes, Anne Sothern finds Luckies gentle on her throat...

There is a cliché in 1938 movies that people are either very rich or very poor.  In The Beloved Brat, Bonita Granville stars as Roberta Morgan, an only child in a wealthy family.  She has no friends and her working father and society mother spend no time with her, leaving her to the care of servants.  She is desperately lonely and the household staff are in the difficult position of both serving her and disciplining her.  Because of this conflicting role, they are the ones who must suffer Roberta's verbal and physical abuse (calling them stupid, throwing dishes at them) when she rails against the restrictions of her life.  This is Roberta's life: her parents ignore her and the servants resent her.  One day she finds a poor boy (played by 'Stymie' Beard) hunting small animals on the grounds and befriends him.  She starts skipping school and dance lessons to spend time with her new friend and even tries to bring him home for dinner one night when her parents are not home.  Finding a poor black boy at the dinner table, the butler literally throws Stymie out.  Then, when Roberta's parents find out that she has been lying about where she spends her days, they charge Jenkins (the butler) with making sure she doesn't leave the house.  He can only accomplish this by locking Roberta in her room, but she escapes by starting a fire in a wastebasket and calling the fire department.  Jenkins tracks her down and tries to bring her back, but Roberta grabs the wheel of his car and causes an accident that kills someone in another car.  Before finally admitting fault, Roberta nearly sends Jenkins to jail by saying he had been drinking.  A judge sentences Roberta to a boarding school for troubled girls.  After a few weeks of stubborn defiance she realizes that she is now in an environment where she can finally have friends and she turns into a charming girl.  Only when she is confronted with returning home does she throw another tantrum, causing her parents to realize their role in Roberta's rotten behavior.

Roberta meets Stymie

Familar faces: Donald Crisp is her dad, Leo Gorcey (one of the Dead End Kids) makes a brief appearance as a bully.



The Beloved Brat trailer on TCM

This is a George O'Brien Western that doesn't fit the George O'Brien Western model I have built.  He does not play an undercover lawman.  Instead, he is a cattle rancher who ends up with a tungsten mine on his land.  Maybe I'm just getting used to these budget Westerns or maybe this one was particularly well done, but I was pretty caught up in the suspense scenes at the end.  One involved a runaway mule train pulling loads of tungsten ore beside a precipice, and another involved fist fights while a fuse burned toward a pile of dynamite.  Ray Whitley does the singing, as usual.

Hurry up! It's gonna blow!

Painted Desert trailer on TCM

This is my third George O'Brien Western and it follows the same formula as the other two: O'Brien is an undercover cowboy lawman.  In this case, the villains are smuggling arms to Mexico, so George is a federal agent.  Singing cowboy Ray Whitley is also in this one (as in the other two), but does not play O'Brien's confederate like in the others.  This is the movie for which Ray Whitley wrote "Back in the Saddle Again", and he performs it here before Gene Autry ever heard it.

"Back in the Saddle Again"

This is a madcap comedy starring Pat O'Brien and Jimmy Cagney.  They play the screenwriting team of Benson and Law, who believe there is only one story needed for the movies: Boy Meets Girl, Boy Loses Girl, Boy Gets Girl.  They are on the hook to write a boffo script for a fading cowboy star when they chance upon a sweet girl from the studio commissary who is in a family way.  They extemporize a script where the cowboy finds a baby, and when the baby (named Happy) is born he becomes a publicity sensation.  Benson and Law finagle power-of-attorney to manage Happy and the cowboy is put out at playing second fiddle.  There are many frenetic swings of fortune.  This movie is a boat load of fun.  Kind of a Front Page lite.

James Cagney seemed intent to prove that he could machine-gun his dialogue as fast as Pat O'Brien so I had to turn on closed-captioning several times.  The naive mother was played by Marie Wilson whom I just saw as Carole Lombard's maid in Fools for Scandal.  Ralph Bellamy is the movie producer trying to ride herd on his actors and screenwriters.  He is also an intellectual snob and a health nut.  He makes a big point of ordering "raw" milk and in one scene complains that Cagney has broken his Vita-Glass window.  This was a brand name for glass that was UV permeable and supposedly promoted better health, but apparently had been largely debunked by 1938.  At one point an actor pretending to be Happy's long lost father claims that he "did not go down on the Morro Castle".  This was a cruise ship that caught fire in 1934 killing 137 people.  The timing does not actually work out.  I think much of the script was intended as jokes that are not today self-evident.

Familiar faces: Penny Singleton (Blondie) has a quick scene as a manicurist, and Ronald Reagan plays a radio announcer for a movie opening.

Boy Meets Girl trailer on TCM

Fools for Scandal with Carole Lombard and Fernand Gravet.  This is a screwball comedy with Lombard playing an incognito American actress visiting Paris and London.  Gravet plays a destitute Parisian chef who courts her.  When Gravet ends up spending the night after a masquerade party in Lombard's London home (ostensibly to serve as her personal cook) all of London society is alight with the scandal.

This was Lombard's only 1938 movie and she died in a plane crash in early 1942, so this was close to the end of her career.  I enjoyed her a lot.  Fernand Gravet played Johann Strauss II in The Great Waltz.  The songs in this movie are by Rodgers and Hart, but this isn't really a musical.  There is one "spoken word" duet called "Food for Scandal" which must have been a contender for the title of this film.

Allen Jenkins and Fernand Gravet

Familiar faces: Allen Jenkins as Gravet's sidekick; Ralph Bellamy as Lombard's wannabe fiancé.

Fools for Scandal Trailer on TCM