Showing posts with label Franchot Tone. Show all posts
Showing posts with label Franchot Tone. Show all posts

Man-Proof

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This movie has quite an incredible cast: Myrna Loy, Walter Pidgeon, Franchot Tone, and Rosalind Russell. Unfortunately, Rosalind Russell has hardly any dialog except for a schmaltzy speech near the end. She probably spoke more words in the first two minutes of "His Girl Friday" than she did in this entire movie.

Myrna Loy loves playboy Walter Pidgeon, but he marries industrial heiress Rosalind Russell instead. Myrna doesn't give up and Walter's head is easily turned. Platonic family friend Franchot Tone would be a better match, and so it (eventually) goes. It gets a little maudlin in the last act.

The Girl Downstairs

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Love Is a Headache

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Carlotta Lee (Gladys George) is a stage actress on a string of failed plays.  Peter Lawrence (Franchot Tone) is a showbiz columnist who thinks he could steer Carlotta's career properly if only she would follow his advice.  Since she won't, he uses his column to torpedo her career choices so as to persuade her. Amidst this action, Peter learns that an old pal of his has died leaving two kids (played by Mickey Rooney and Virginia Weidler) orphan.  He uses a radio broadcast to solicit an adoptive family for them, and Carlotta's publicity man decides that she should adopt them for the positive press.  Peter is offended by this mercenary move and tries to expose Carlotta, who has grudgingly grown endeared to the kids.

Familiar face: Ralph Morgan (Frank Morgan's brother) as a wealthy suitor of Carlotta's

"Love Is a Headache" trailer from TCM

Three Comrades

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Three Comrades starring Robert Taylor, Franchot Tone, Robert Young, and Margaret Sullavan.  Three disillusioned German soldiers return to a troublesome civilian life after World War I.  They meet a financially ruined former heiress, whom the youngest of the three marries.  Unfortunately she has recurring tuberculosis and does not have long to live.

This movie seems to be almost universally acclaimed but I didn't like it at all.  It was so serious!  I think there was one single scene in the movie that ended on a high note.  Every other scene was either outright sad, overlaid with hopelessness, or foreshadowing tragedy.  Blah.  I did like their souped-up car named "Baby", though.

This movie was based on a novel by Erich Maria Remarque, author of All Quiet on the Western Front.  The screenplay was at least partially written by F. Scott Fitzgerald.

 
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