Men Are Such Fools with Priscilla Lane. Ambitious ad woman Linda Lawrence (Priscilla Lane) rises from secretary to copy writer to account executive in her advertising firm, all the while fending off advances from her male coworkers. One suitor from another ad agency, Jimmy Hall (Wayne Morris) is so persistent that she falls in love and agrees to marry him. She insists on continuing work after marriage, at least until her current ad campaign is finished, but the amorous advances of coworker Harry Galleon (Humphrey Bogart) provokes such jealousy from her husband that she quits. Her business ambition is not so easily thwarted and she tries to satisfy it vicariously through Jimmy's career. Jimmy doesn't share her drive and it seems as if their marriage cannot survive the friction.
I know it doesn't sound like it but this was a very light-hearted movie. It just made me uncomfortable. It was like watching the AMC series "Mad Men" only without the sinister undercurrent surrounding the politically incorrect behavior. Here is what I saw: 1) Office romance was an inextricable part of office life - it wasn't even something that anyone objected to. 2) Women did not work after they got married. 3) When pursuing a girl, "no" didn't mean "no". There was also a casual disregard for marital fidelity (and a not entirely casual disregard for marriage at all from Humphrey Bogart).
Familiar faces: Penny Singleton as Linda's best friend.
Jimmy convinces Linda to accept his marriage proposal by parking on the train tracks.
Jimmy convinces Linda to set a wedding date by holding her under water.
What does the phrase "the Frenzied Fifties" mean in the context of 1938? Is it referring to 50th through 59th Street?